Native plants grown into felt and mounted on board
This meadow is fully mobile and can be set up in various incongruous urban settings, guerrilla art style. It alludes to conservation, sustainability and the control of nature. Here it is presented at ArtWork Atelier as part of the Manifest Festival 2015.
What is natural and what is manmade? I am interpreting the mechanics and reality of what is a managed landscape and what is a natural one, recognising the incoherence between popular perception and reality. The truth is that what most people recognise as ‘natural’, the British countryside, is the product of thousands of years of human management. Here is a meadow, obviously ‘artificial’ and yet no less natural than one in the rural landscape.
Man imposes a geometry, an order, on our environment for our own purposes. In the end nature takes possession of it, creating the Great British Countryside. What we end up with is a balance between control and chaos.
What we initially create can become an ecosystem, benefitting animals and plants. which in themselves loop around to enrich our lives. There is no reason why we can’t bring these benefits to the heart of a city via green corridors, green roofs, and sustainable drainage systems. A meadow on a building site, or a car park, or on a roof can bring pleasure and ecological improvement.
The work references the concept of ‘Hedonistic Sustainability’ espoused by the Danish architect Bjarke Ingels; there is value in the process of human pleasure, conservation can not only benefit the environment but at the same time can enhance quality of life and human enjoyment.